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Welcome to Couch Potato U — Where Watching TV Counts as Homework! 🎓📺
Take a crash course in parenting, marriage, friendship, and everyday decency, taught by the unforgettable characters of classic television. No tuition, no textbooks, and extra credit for being a mensch!
Showing posts with label Gilmore Girls. Show all posts
Showing posts with label Gilmore Girls. Show all posts

Saturday, November 7, 2026

How to Admit You're Wrong Without Making Excuses

I've noticed that some people would rather spend twenty minutes explaining why they were wrong than spend ten seconds admitting it.

And I find that fascinating.

You can show someone exactly where they made a mistake. You can explain what happened, how it affected another person, and why their version of events doesn't hold up.

And instead of hearing, "You're right. I was wrong," you get a speech.

They were tired.

They were stressed.

They misunderstood.

Someone else started it.

And my personal favorite: "I'm sorry you took it that way."

Excuse me?

You just spent five minutes telling me why you weren't responsible for what happened, and now I'm supposed to accept an apology for having the nerve to be upset?

I don't think so.

Now, I understand that admitting we're wrong isn't always comfortable. Nobody enjoys discovering that they've behaved badly, made a foolish decision, or hurt someone they care about.

I've certainly had moments when I wanted to defend myself before acknowledging that I'd made a mistake.

But there's an important difference between explaining what happened and trying to escape responsibility for it.

And television has given us some wonderful examples of both.

Walter White spent years insisting that everything he did was for his family. Rory Gilmore tried to justify sleeping with a married man because she'd loved him first. And Eleanor Shellstrop on The Good Place discovered that telling the truth about herself could cost her everything she wanted.

Three very different characters.

Three different situations.

But they all raise a question I think most of us could benefit from considering.

When you know you've done something wrong, are you more interested in making things right or convincing everyone that you had a good reason?

Because those aren't necessarily the same thing.

Walter White Had an Explanation for Everything Except His Own Ego

If you've watched Breaking Bad, you know that Walter White, played by Bryan Cranston, is a remarkably intelligent man.

He's a gifted chemist.

He's resourceful.

He can think his way through situations that would leave most people completely overwhelmed.

And he has an extraordinary ability to justify his behavior.

When Walter receives a lung cancer diagnosis, he becomes frightened about his family's financial future.

His wife, Skyler, is pregnant. They have a teenage son. And Walter is worried about what will happen to them if he dies.

Those are understandable concerns.

So when Walter begins manufacturing methamphetamine with his former student Jesse Pinkman, he presents the decision as a desperate attempt to provide for his family.

Now, I can sympathize with a frightened father who wants to make sure his children are financially secure.

But Walter doesn't simply make one bad decision and immediately regret it.

He keeps going.

He lies to Skyler.

He manipulates Jesse.

He becomes increasingly dangerous.

And as the series progresses, protecting his family becomes an explanation he uses even when his own actions are placing that family in danger.

That's what I find so revealing about Walter.

He isn't incapable of understanding right and wrong.

He understands chemistry well enough to build a criminal empire, yet somehow struggles to recognize that his wife might object to living with a drug manufacturer.

Or perhaps he recognizes it perfectly well.

He just doesn't want her objections interfering with his plans.

By the fifth season, Walter has become so accustomed to defending his decisions that his explanations have practically become part of his personality.

In "Say My Name," he expects others to recognize the power and reputation he's acquired.

In "Ozymandias," the disastrous consequences of his decisions finally overwhelm the family he claimed to be protecting.

And in the series finale, "Felina," which aired September 29, 2013, Walter returns to see Skyler one last time.

He begins explaining himself again.

Skyler is exhausted by it.

She's heard enough about his supposedly noble intentions.

And then Walter finally says something he should have acknowledged long before.

"I did it for me."

He admits that he enjoyed what he'd become good at, and that the work made him feel alive.

I think it's one of the most important moments in the entire series.

Because Walter finally separates his original circumstances from the choices he continued making.

Yes, he was diagnosed with cancer.

Yes, he feared leaving his family without money.

But he also enjoyed power, recognition, and being exceptionally good at something.

Those motives existed alongside his concern for his family.

And eventually they helped drive decisions that destroyed the very life he said he wanted to preserve.

I've written more about Walter's pride in my article examining his famous "I am the danger" declaration.

What interests me here is how long it takes him to abandon his favorite excuse.

Walter's cancer explains how he entered the drug business. It doesn't excuse everything he chose to do afterward.

And his final admission doesn't undo the damage.

Hank is dead.

His marriage is destroyed.

His children have suffered.

Jesse has endured terrible abuse and captivity.

Walter doesn't get to erase all that simply because he's finally telling the truth.

Nor does he offer Skyler a complete apology that repairs what he's done.

But for once, he stops expecting her to accept his explanation as a defense.

I wish he'd discovered that kind of honesty several seasons earlier.

So, I suspect, does Skyler.

Rory Gilmore Wasn't Going to Let a Marriage Interfere With Her Explanation

Now let's consider someone considerably less dangerous.

Rory Gilmore.

I recently wrote about Rory's disappointing development from promising student to repeatedly becoming involved with unavailable men.

And one of the reasons her story bothers me is the way she responds when Lorelai confronts her about Dean.

In the fourth-season finale of Gilmore Girls, "Raincoats and Recipes," which aired May 18, 2004, Rory sleeps with her former boyfriend Dean Forester.

There's just one small problem.

Dean is married to Lindsay.

Actually, that's not a small problem.

That's the entire problem.

When Lorelai discovers what happened, she is understandably shocked.

Rory, played by Alexis Bledel, has always been presented as a responsible, intelligent young woman.

She's academically ambitious.

She understands commitments.

She's certainly old enough to know that married people aren't supposed to be sleeping with their former girlfriends.

But instead of admitting that she's made a serious mistake, Rory begins defending the relationship.

She refers to Dean as hers.

She reminds Lorelai of their history.

And she emphasizes that Dean told her his marriage was effectively over.

I can understand why Rory might have believed that Dean was unhappy.

I can even understand why seeing her first love again brought back feelings she hadn't completely resolved.

But none of those explanations changes the fact that Dean was still married.

And Rory knew it.

What troubles me is that Rory seems to believe her history with Dean gives her some special claim to him.

As though being his girlfriend first means Lindsay's marriage is somehow less legitimate.

Really, Rory?

Relationships aren't parking spaces that you can reclaim because you were there before somebody else.

And Dean deserves plenty of criticism, too.

He's the married person.

He has a direct responsibility to honor his commitment to Lindsay.

If his marriage is unhappy, he needs to address that honestly rather than begin another relationship behind his wife's back.

But Dean's responsibility doesn't eliminate Rory's.

Two people can participate in the same wrongdoing without either one being completely responsible for the other's behavior.

What would I have liked to hear from Rory?

Something simple.

"I knew he was married. I wanted to believe what he told me because I still had feelings for him. But I shouldn't have slept with him."

There.

She could still explain her emotions.

She could still acknowledge that Dean had led her to believe his marriage was ending.

But she wouldn't be using those circumstances to pretend she had no responsibility.

I think Lorelai would have found that far easier to respect than Rory's attempts to defend what happened.

And I wouldn't expect Rory to become a terrible person simply because she acknowledged making a terrible decision.

That's another mistake people make.

They imagine that admitting wrongdoing means accepting some permanent negative identity.

If I admit I lied, I'm a liar.

If I admit I behaved selfishly, I'm selfish.

If I admit I cheated, I'm someone nobody can ever trust again.

But people aren't necessarily defined forever by their worst decisions.

They're also defined by what they do afterward.

And the first step toward behaving differently is being willing to describe what happened without rewriting the story to make yourself look better.

Eleanor Shellstrop Finally Stopped Letting Someone Else Take the Blame

I think The Good Place gives us an especially interesting example because Eleanor Shellstrop, played by Kristen Bell, begins the series with a rather obvious problem.

She's in the Good Place.

And she knows she doesn't belong there.

When the series premiered in September 2016, Eleanor discovered that she'd somehow ended up in an afterlife reserved for people who had lived exceptionally good lives.

Unfortunately, the description of the wonderful person she supposedly had been doesn't match the woman she remembers being.

Not even close.

Eleanor wasn't a particularly generous or considerate person during her life.

She frequently put herself first.

She was dishonest.

And she wasn't especially concerned about the consequences of her behavior for other people.

But now she's been offered an extraordinary reward.

And she's determined to keep it.

So she persuades Chidi Anagonye, an ethics professor played by William Jackson Harper, to teach her how to become a better person.

I like that premise.

Because Eleanor isn't simply pretending to be good.

She gradually begins trying to understand what goodness actually requires.

And sometimes the answer is terribly inconvenient.

In the first-season episode "The Eternal Shriek," which aired October 20, 2016, the neighborhood's architect, Michael, believes he's responsible for the strange problems occurring in the Good Place.

He decides that he must retire.

Unfortunately, retirement for someone like Michael involves a horrifying punishment.

Eleanor knows that her presence is connected to the trouble.

And if Michael accepts the blame, she might be able to continue hiding.

From a purely selfish perspective, that's a wonderful arrangement.

Someone else takes responsibility.

She keeps her comfortable afterlife.

Problem solved.

Except Chidi isn't pleased.

He understands that allowing Michael to suffer for something Eleanor has been concealing is morally wrong.

And Eleanor eventually reaches the point where she can no longer continue pretending.

After another disastrous attempt to solve the problem without exposing herself, she publicly admits that she doesn't belong in the Good Place.

Now, I wouldn't pretend Eleanor suddenly becomes a perfect example of moral courage.

She had plenty of opportunities to confess earlier.

And she tried some rather questionable alternatives before finally telling the truth.

But her confession represents a change.

She stops allowing another person to carry responsibility for a situation she's been hiding.

She also accepts the possibility that telling the truth will cost her something she desperately wants.

That's what makes her admission meaningful.

An admission of wrongdoing becomes much more convincing when a person is willing to accept an unpleasant consequence rather than make someone else pay for the mistake.

And I think Eleanor's story offers an important lesson.

You don't have to wait until you've become a wonderful person to begin acting like one.

Sometimes the first decent thing you do is admit that you haven't been very decent.

Why Is It So Hard to Say Three Little Words?

"I was wrong."

Three words.

You'd think we were asking people to donate a kidney.

But I can understand why admitting a mistake feels threatening.

Most of us want to believe we're reasonable, decent people.

We want others to see us that way, too.

So when someone points out that we've behaved badly, we may instinctively try to protect our image.

We explain our intentions.

We describe the circumstances.

We bring up what the other person did.

And before long, the original problem has disappeared beneath a mountain of arguments about why we shouldn't be blamed.

I think this happens frequently in family relationships.

A parent makes an unfair accusation against an adult child.

The child explains why the accusation was wrong.

And rather than acknowledging the mistake, the parent responds that she was only worried.

All right.

Perhaps she was worried.

But being worried doesn't automatically make an accusation fair.

Or consider a husband who speaks disrespectfully to his wife.

When she objects, he explains that he'd had a difficult day at work.

Again, I can sympathize.

A difficult day can leave someone exhausted and irritable.

But the wife didn't cause the problem at work.

And she shouldn't have to accept being treated badly simply because her husband arrived home in a foul mood.

What I'd like to hear is something closer to this:

"I had a terrible day, and I took it out on you. That wasn't fair. I'm sorry."

See the difference?

He hasn't denied having a difficult day.

He hasn't pretended his irritation came out of nowhere.

He's simply accepted that his circumstances didn't give him permission to mistreat someone else.

And that's the distinction I think people need to understand.

An explanation tells us why something happened. An excuse tries to make the responsibility disappear.

The same information can function as either one, depending on how it's being used.

"I was exhausted" can be useful context.

"I was exhausted, so you can't blame me" is something else.

And if we're genuinely trying to make amends, we should be able to recognize the difference.

What Would a Rabbi Say About Admitting You're Wrong?

One of the things I appreciate about Jewish teachings on repentance is that they don't treat an apology as a magical sentence that makes wrongdoing disappear.

Judaism has a concept called teshuvah, commonly translated as repentance or return.

And there's considerably more to it than saying you're sorry.

Maimonides, the great medieval Jewish scholar also known as the Rambam, discusses repentance in his Mishneh Torah.

In Repentance 2:2, he describes the importance of abandoning wrongdoing, regretting it, resolving not to repeat it, and confessing what one has done.

Notice what's missing.

A requirement to produce an impressive explanation for why the behavior was understandable.

Now, that doesn't mean circumstances are irrelevant.

Jewish law recognizes differences between deliberate wrongdoing, mistakes, accidents, and situations in which a person's freedom to choose was limited.

Those distinctions can affect moral responsibility.

But when someone knowingly commits a wrong, explaining the circumstances doesn't eliminate the need to acknowledge it.

And I think there's a valuable lesson in that distinction.

Imagine someone who borrowed money from a friend and failed to repay it.

The borrower explains that finances have been difficult.

Perhaps they have.

Perhaps they've experienced unexpected expenses.

Perhaps there's a perfectly reasonable explanation for why repayment was delayed.

But the money is still owed.

The friend's financial loss doesn't vanish because the borrower has a sympathetic story.

In Mishneh Torah, Repentance 2:9, Maimonides explains that when one person wrongs another, repentance requires addressing the harm and seeking the injured person's forgiveness.

Even returning what was taken doesn't automatically complete the process.

The relationship between the people involved also deserves attention.

And that raises a question I wish more people would ask themselves.

If you know you've hurt someone, why are you spending so much energy explaining your intentions instead of finding out what you can do to repair the damage?

I also think of Ben Zoma's teaching in Pirkei Avot 4:1.

He asks who is wise and answers that the wise person learns from everyone.

I love that idea.

Because it challenges something many of us struggle with.

We don't necessarily want to learn from someone younger than we are.

Or someone whose opinions we generally disagree with.

Or someone we've spent years believing we know better than.

Imagine a parent who has been raising children for forty years being corrected by an adult daughter.

The parent might immediately think, "I've been a mother longer than you've been alive."

Well, yes.

But being a mother for forty years doesn't establish that you've been right about everything for forty years.

Experience can make someone wiser.

It can also give someone forty years of practice making the same mistake.

And if the daughter has a reasonable point, dismissing it because she's younger means the parent is choosing authority over learning.

I don't think that's wisdom.

A genuinely wise person should be able to say, "You know something? I hadn't considered that. I think you're right."

Even when those words come from a parent to a child.

Especially then.

An Apology Isn't Supposed to Become Another Argument

There's another habit that I think deserves attention.

Some people begin an apology and then immediately turn it into a complaint about the person they're supposedly apologizing to.

"I'm sorry I yelled, but you wouldn't listen."

"I'm sorry I embarrassed you, but you embarrassed me first."

"I'm sorry I said that, but you know how sensitive I am."

By the time they're finished, the person receiving the apology is practically being asked to apologize for causing it.

What happened here?

The conversation was supposed to be about your behavior.

Now we're discussing why the other person made you behave that way.

And sometimes the person apologizing becomes angry when the explanation isn't accepted.

"I said I was sorry! What more do you want?"

Well, perhaps the other person wants you to acknowledge what you actually did.

Without immediately explaining why they deserved it.

Now, I'm not suggesting that every disagreement has one innocent person and one guilty person.

Sometimes both people behave badly.

Sometimes a person genuinely was provoked.

And sometimes the person demanding an apology has contributed to the problem.

But that doesn't mean responsibility has to be negotiated like a business transaction.

You don't have to wait for someone else to admit their mistake before acknowledging yours.

If you yelled, you can apologize for yelling.

If the other person insulted you, that issue can be addressed separately.

Both conversations can happen.

What I wouldn't recommend is turning an apology into an opportunity to prosecute the other person's behavior.

That's not reconciliation.

That's just an argument with a more polite opening sentence.

How Do You Actually Admit You're Wrong?

I think a good apology begins by identifying what happened.

Not what you meant to happen.

Not what you wish the other person understood.

What you actually did.

Suppose you accused a coworker of failing to complete a task, only to discover that the work had been finished and you simply hadn't checked.

You could say, "Well, nobody told me it was done."

And perhaps that's true.

But you accused someone without verifying the facts.

Why not say that?

"I accused you of not finishing the work without checking first. I was wrong, and I'm sorry."

If you made the accusation in front of other people, you should also consider correcting it in front of those people.

A private apology doesn't necessarily repair a public embarrassment.

Or imagine that you repeatedly interrupted someone who was trying to explain something important.

You later realize that you misunderstood the situation because you hadn't listened.

Don't tell the person that they should have explained themselves more clearly.

Try this instead:

"I kept interrupting you, and I misunderstood what you were saying. I should have listened. I'm sorry."

Then do something that may feel surprisingly difficult.

Stop talking.

Let the other person respond.

Because an apology shouldn't require the injured person to sit through another ten minutes of explanation.

And if that person says they're still upset?

Accept that.

People aren't obligated to feel better the moment you've decided to apologize.

Now, Jewish teachings on forgiveness also place responsibilities on the person who has been wronged. Sincere repentance and reasonable efforts to make amends shouldn't be dismissed casually, and traditional Jewish law takes the obligation to forgive seriously.

But that doesn't turn an apology into a demand for immediate emotional reassurance.

Nor does forgiveness automatically settle every question about rebuilding trust or resuming a close relationship.

You may have apologized sincerely.

The other person may even believe you.

But if you've repeated the same behavior twenty times, don't be surprised if the twenty-first apology receives a less enthusiastic response.

At some point, people want to see something different.

Which brings me to another part of Maimonides' discussion.

In Mishneh Torah, Repentance 2:1, he describes complete repentance through the example of someone who encounters the same opportunity to do wrong again but chooses not to repeat the behavior.

I think that's an excellent standard to consider in everyday life.

If you apologize for interrupting someone, what happens the next time that person speaks?

If you apologize for making an unfair accusation, do you check your facts before accusing them again?

If you apologize for being dishonest, do you tell the truth when another lie would be more convenient?

Because ultimately, people learn whether they can trust your apology by watching what happens afterward.

You can deliver a beautiful speech about your mistakes.

But if your behavior never changes, what exactly was the speech supposed to accomplish?

Admitting You're Wrong Doesn't Mean Accepting Blame for Everything

I also want to make an important distinction.

There's a difference between accepting responsibility for your own mistakes and accepting blame simply to end an argument.

I wouldn't encourage someone to apologize for something they didn't do.

And I certainly wouldn't encourage a person dealing with repeated mistreatment to keep apologizing because the other person refuses to accept any responsibility.

Sometimes people are pressured into admitting wrongdoing because someone else is louder, more intimidating, or unwilling to continue the conversation until they get an apology.

That's not the kind of accountability I'm talking about.

An honest admission has to be honest.

If you're wrong, say so.

If you're not wrong, you don't have to pretend otherwise.

And if you're uncertain, there's nothing shameful about saying, "I may have misunderstood. Let me check."

I actually wish people said that more often.

Imagine how many pointless arguments could be avoided if we were willing to verify something before insisting we're right.

Or if we could acknowledge that someone else's explanation might contain information we hadn't considered.

That's another reason I appreciate Ben Zoma's teaching about learning from everyone.

The ability to reconsider an opinion isn't evidence that a person lacks confidence.

Sometimes it demonstrates enough confidence to admit that being right isn't the most important thing in the room.

Why We Respect People Who Can Admit Their Mistakes

Think about the television characters we've discussed.

Walter White spent years hiding selfish motives beneath claims of family responsibility.

Rory Gilmore defended a relationship she should have known was wrong.

Eleanor Shellstrop wanted to keep a wonderful reward even though she knew she hadn't earned it.

All three had explanations.

And I can understand aspects of those explanations.

Walter was frightened about his family's future.

Rory had unresolved feelings for Dean.

Eleanor was terrified of losing the comfortable afterlife she'd stumbled into.

But understanding their motivations doesn't require approving their choices.

That's something I think we frequently confuse.

We imagine that if someone has a sympathetic reason for behaving badly, then perhaps the behavior isn't really so bad.

Or we assume that if we criticize someone's actions, we're denying the difficulties that led to them.

I don't think either assumption is necessary.

We can understand Walter's fear without excusing his criminal conduct.

We can recognize Rory's feelings without pretending Dean wasn't married.

And we can appreciate Eleanor's predicament while acknowledging that allowing Michael to take the blame was wrong.

In fact, I think people become more interesting when we're willing to evaluate them that way.

They're neither perfect heroes nor irredeemable villains.

They're people making decisions.

Sometimes good ones.

Sometimes terrible ones.

And occasionally, if we're fortunate, they learn something.

The same principle applies outside television.

I don't expect everyone in my life to be right all the time.

That would be a rather unreasonable standard, especially considering that I can't promise to meet it myself.

But I do expect people to be willing to reconsider their behavior when someone brings a legitimate problem to their attention.

And I respect someone who can admit a mistake far more than someone who can invent fifty explanations for it.

Because clever explanations don't necessarily demonstrate good judgment.

Sometimes they simply demonstrate that a person is very good at defending themselves.

Walter White was certainly good at that.

I'd rather take my ethical advice from someone who knows when to stop arguing.

My Verdict: Being Wrong Isn't the Embarrassing Part. Refusing to Admit It Is.

I don't think admitting you're wrong should be treated as some extraordinary act of heroism.

It's something ordinary people should be willing to do.

We misunderstand things.

We make assumptions.

We lose our patience.

We behave selfishly.

And sometimes we make decisions that seemed reasonable at the time but turn out to have been terribly misguided.

That's life.

What troubles me is the person who treats every correction as an attack.

The parent who cannot accept that an adult child knows something she doesn't.

The spouse who interprets every complaint as an accusation that he's a terrible husband.

The friend who would rather defend a hurtful remark than acknowledge that it shouldn't have been made.

Why is being right so important that we're willing to damage a relationship to preserve the appearance of it?

I think about Eleanor finally telling the truth in The Good Place.

She had every incentive to keep quiet.

Confessing could cost her the wonderful existence she'd been enjoying.

But she reached a point where allowing someone else to suffer for her deception became harder to justify than telling the truth.

And that's a form of growth I admire.

I think about Walter finally telling Skyler that his decisions weren't entirely about providing for his family.

His admission arrived far too late to save their marriage or undo the harm he'd caused.

But at least he stopped expecting her to accept an explanation he could no longer honestly believe himself.

And I think about Rory.

Not because her mistake was comparable in scale to Walter's crimes, but because her reaction is so recognizable.

She didn't want to believe she'd become the kind of person who would knowingly participate in an affair.

So she tried to make the circumstances sound different.

I suspect plenty of us have done something similar on a smaller scale.

We've defended a mistake because admitting it would require us to reconsider how we see ourselves.

But I don't believe a good person is someone who never does anything wrong.

I believe a good person is someone who cares enough about right and wrong to acknowledge the difference, even when it's uncomfortable.

And Jewish teachings on teshuvah offer a valuable reminder that recognizing wrongdoing is only the beginning.

We also have to consider the harm, make reasonable efforts to repair it, and change the behavior that caused it.

So the next time someone points out that you've made a mistake, consider whether you really need to deliver an entire defense of your character.

Perhaps you misunderstood.

Perhaps you were tired.

Perhaps someone else contributed to the situation.

You can discuss those circumstances when they're relevant.

But if you know you were wrong, why not begin there?

"You were right. I was wrong. I'm sorry."

Then listen.

Make things right if you can.

And try not to repeat the mistake.

Being a mensch doesn't require winning every argument. Sometimes it requires recognizing that the other person was right all along.

And if you can do that without adding a "but" to the end of your apology, I'd say you're making excellent progress.

Sources and Further Reading

What Happened to Rory Gilmore? From Stars Hollow's Golden Girl to the Other Woman

I have a question for the people who wrote Gilmore Girls.

What on earth did you do to Rory?

When the series premiered in 2000, Rory Gilmore was the kind of teenager parents could only hope their children would turn out to be.

She was intelligent, hardworking, polite, and ambitious. She loved books, took school seriously, and dreamed of becoming a journalist.

She wasn't perfect, but she seemed to have a pretty good head on her shoulders.

Her mother Lorelai had become pregnant at sixteen and worked hard to build an independent life. Now Rory was preparing to take advantage of the educational opportunities her mother hadn't had.

Chilton.

Yale.

A career in journalism.

The world seemed wide open.

And then, somewhere along the way, Rory began developing a disturbing habit of getting involved with men who were already involved with other women.

First, she kissed Jess while dating Dean.

Then she slept with Dean after he married Lindsay.

And when Gilmore Girls: A Year in the Life arrived in 2016, Rory was thirty-two years old, carrying on an affair with Logan Huntzberger while he was engaged to another woman.

Oh, and Rory had a boyfriend of her own.

Apparently one complicated relationship wasn't enough.

Then the revival ended with Rory announcing that she was pregnant.

Good grief.

I realize people make mistakes. Teenagers make foolish romantic decisions, and adults sometimes disappoint us, too.

But I have a problem with the way Rory's story developed.

We're not talking about one poor decision followed by a serious effort to learn from it.

We're talking about a character who repeatedly disregards other people's relationships and then carries that same behavior into her thirties.

Rory Gilmore wasn't ruined because she had sex or became pregnant. She damaged her character by repeatedly treating other people's commitments as though they didn't apply to her.

And I think the writers owe viewers a better explanation than simply suggesting life doesn't always turn out the way we expect.

Of course it doesn't.

But there's a difference between an unexpected life and a series of choices that hurt other people.

Rory Was Supposed to Be the Girl Who Knew Better

One of the reasons Rory's romantic behavior frustrates me is that her early characterization gave us so many reasons to expect better judgment.

She wasn't portrayed as someone who acted without thinking.

Quite the opposite.

Rory made lists.

She planned her schoolwork.

She researched colleges.

And she worried about making mistakes that might interfere with her future.

She was almost comically organized.

And when she began dating Dean Forester, played by Jared Padalecki, their relationship seemed relatively innocent.

Dean was attentive and dependable. He enjoyed spending time with Rory, and he made an effort to become part of her life.

He wasn't perfect. His jealousy could become unpleasant, and he sometimes struggled with Rory's growing interest in Jess Mariano.

But Rory wasn't entirely innocent in that situation, either.

When Jess arrived in Stars Hollow, she became fascinated by him.

He read the same books.

He understood her literary references.

And unlike Dean, he challenged her intellectually in ways she found exciting.

I can understand the attraction.

People sometimes develop feelings for someone else while they're already in a relationship.

That doesn't automatically make them terrible people.

But it creates a decision.

Do you remain faithful to the person you're dating?

Do you honestly acknowledge that your feelings have changed?

Or do you continue enjoying the security of one relationship while exploring the possibility of another?

Rory chose the third option for far too long.

At Sookie's wedding in the second-season finale, "I Can't Get Started," she kissed Jess even though she was still dating Dean.

Then she returned to Dean without telling him what had happened.

Now, I wouldn't expect every teenage romance to last forever.

If Rory had decided she preferred Jess, she was free to end the relationship with Dean.

But sneaking around wasn't necessary.

She wanted the excitement of Jess without immediately giving up the security of Dean.

And I think that was the first sign of a habit that would become much worse.

Having feelings for someone else isn't a betrayal. Acting on those feelings behind your partner's back is.

Rory was old enough to understand the difference.

She simply didn't want to deal with the consequences of making a choice.

Unfortunately, the writers brought that same attitude back when the stakes were considerably higher.

“My Dean”? Excuse Me, Rory. He Had a Wife.

The episode that really changed my opinion of Rory was "Raincoats and Recipes," the fourth-season finale, which aired May 18, 2004.

Rory was nineteen and home from Yale.

Dean had married Lindsay Lister, played by Arielle Kebbel.

Their marriage was struggling.

Dean was unhappy.

And Rory, who had begun regretting the way she'd treated him when they were younger, found herself drawn back to the comfort of their old relationship.

I can understand nostalgia.

Sometimes people remember an earlier boyfriend more fondly after experiencing a disappointing relationship with someone else.

Dean had been steady and affectionate.

Jess had been unpredictable and unreliable.

So Rory began wondering whether she'd made a mistake.

Fine.

But Dean wasn't available anymore.

He was married.

And that should have settled the question of whether Rory ought to pursue him.

Instead, they slept together.

When Lorelai discovered what had happened, she was horrified.

And I was firmly on Lorelai's side.

Rory tried explaining that Dean's marriage was unhappy and that he loved her rather than Lindsay.

She insisted that the relationship was effectively over.

But when Lorelai asked whether Dean had actually left his wife or begun the process of ending the marriage, Rory didn't have a convincing answer.

Then came Rory's astonishing defense.

"He's Dean -- my Dean."

Oh, for heaven's sake.

Your Dean?

He had a wife!

He had made a commitment to another woman.

And whatever romantic history Rory shared with him, that history didn't give her permanent rights to him.

I think Lorelai's response was one of the strongest parenting moments in the entire series.

She refused to accept Rory's excuses.

She pointed out that Dean was still married and that Rory was now the other woman.

And when Rory began criticizing Lindsay, Lorelai refused to let her blame the wife for the husband's infidelity.

Good for Lorelai.

Because I wouldn't have tolerated that explanation, either.

If Dean's marriage was unhappy, he had choices.

He could talk honestly with Lindsay.

He could seek help.

Or he could end the marriage before beginning another relationship.

What he couldn't do honorably was continue being Lindsay's husband while sleeping with Rory.

And Rory couldn't pretend that the marriage didn't exist simply because she preferred the idea of Dean being hers.

A man doesn't become available because an ex-girlfriend remembers how wonderful he used to be.

And a marriage doesn't disappear because the husband says he's unhappy.

Lindsay Wasn't an Obstacle. She Was a Person.

One aspect of the Dean affair that bothers me is how easily Lindsay could have been reduced to an inconvenience in Rory's romantic story.

Rory knew Lindsay.

She knew Dean had married her.

And she knew their relationship wasn't simply an abstract arrangement between two strangers.

Yet when Rory wanted Dean back, she began focusing on Lindsay's supposed shortcomings.

Lindsay wasn't encouraging Dean to pursue the future Rory thought he deserved.

Their marriage wasn't working.

Dean was unhappy.

And Rory seemed ready to accept almost anything that made the affair sound understandable.

But Lindsay hadn't done anything to Rory that justified being betrayed.

She was a young wife trying to make her marriage work.

And although we can question whether Dean and Lindsay married too young, that's a separate issue from whether either spouse was entitled to be unfaithful.

The marriage may have been a mistake.

The affair was still wrong.

And Dean bears enormous responsibility.

I don't want to make this another story in which two women are blamed while the man who made the marriage vows somehow escapes scrutiny.

Dean was the married person.

He knew exactly what he'd promised Lindsay.

And he chose to violate that commitment.

But Rory also knew he was married.

She wasn't an innocent woman who discovered afterward that her boyfriend had a secret wife.

She knew.

And she participated anyway.

Both deserve criticism.

Later, Lindsay found Rory's letter to Dean, and the marriage fell apart.

The consequences weren't limited to Rory feeling embarrassed or Lorelai being disappointed.

Another woman was hurt.

A marriage ended.

And what had Rory gained?

A brief reunion with Dean that didn't last.

When they tried dating again, the differences between their lives became impossible to ignore.

The comforting fantasy of returning to her first love wasn't nearly as satisfying once they had to live with the consequences.

I examined a related issue in my article about Reba, Barbra Jean, and the limits of forgiveness. Barbra Jean wasn't solely responsible for Brock's betrayal of Reba, but she wasn't blameless simply because Brock was the married man.

The same principle applies to Rory and Dean.

I don't believe in excusing infidelity because the participants have a romantic history or because the marriage they interfered with was already troubled.

If a relationship is worth pursuing, it should be worth waiting until both people are free to pursue it honestly.

Rory had plenty of opportunities to understand that lesson.

But years later, she was still making excuses.

By Thirty-Two, Rory Was Back to Being the Other Woman

When Netflix released Gilmore Girls: A Year in the Life on November 25, 2016, I was hoping to see what had become of Rory as an adult.

The original series ended in 2007 with Rory graduating from Yale and accepting a reporting assignment covering Barack Obama's presidential campaign.

That was a promising beginning.

She'd worked hard.

She'd earned her degree.

And she was heading into a profession she'd wanted to pursue since childhood.

So where would she be nearly a decade later?

Perhaps working at a newspaper.

Perhaps reporting internationally.

Perhaps writing books or pursuing investigative journalism.

I didn't require her to become a Pulitzer Prize winner.

But I hoped she'd developed into a capable adult with a career, a personal life, and a better understanding of her own values.

Instead, the revival introduced a Rory whose professional life was unsettled and whose romantic life was a mess.

Now, I want to be fair about the career.

Rory hadn't accomplished nothing.

She'd published journalism, including a piece in The New Yorker, and had worked as a freelancer.

Those are legitimate achievements.

Freelance journalism can be difficult, and even talented writers experience periods of uncertainty.

I wouldn't judge a thirty-two-year-old woman as a failure because she hadn't achieved every professional goal she'd imagined at sixteen.

But her romantic decisions were another story.

Rory had resumed a sexual relationship with Logan Huntzberger, played by Matt Czuchry.

Logan was engaged to a woman named Odette.

And Rory knew it.

They treated their arrangement as something they could enjoy privately while continuing their separate public lives.

Rory stayed with Logan when she traveled to London.

They behaved like a couple when they were together.

And when they were apart, Logan continued moving toward marriage with Odette.

Excuse me?

We already did this with Dean and Lindsay.

Did nobody learn anything?

Rory was no longer nineteen.

She was thirty-two.

She'd had years to reflect on the damage caused by her earlier affair with a married man.

Yet here she was again, accepting a relationship with someone committed to another woman.

And Logan wasn't innocent, either.

He was the one engaged to Odette.

If he didn't want to marry her, he needed to end the engagement.

He had no business maintaining an affair while preparing to become another woman's husband.

But Rory also had a responsibility to refuse the arrangement.

She knew about Odette.

And she chose to continue.

At nineteen, Rory's affair with Dean was a serious mistake. At thirty-two, repeating the same behavior with Logan was a pattern.

I don't think the writers should expect us to overlook that simply because Logan and Rory had wonderful chemistry.

Chemistry isn't character.

Attraction isn't permission.

And loving someone doesn't automatically give you the right to participate in deceiving another person.

And What About Poor Paul?

As though the Logan situation weren't ridiculous enough, the revival also gave Rory a boyfriend named Paul.

Played by Jack Carpenter, Paul was a perfectly pleasant man who had apparently been dating Rory for two years.

But the series treated him as a running joke.

Nobody could remember him.

Lorelai forgot him.

Luke forgot him.

And Rory repeatedly forgot that she needed to break up with him.

Now, I understand the comedy the writers were attempting.

Paul was supposed to be so forgettable that everyone overlooked his existence.

But I didn't find the joke especially charming.

Because Paul wasn't simply a man Rory had gone on one disappointing date with.

He was her boyfriend.

And rather than have the courtesy to end their relationship, Rory continued neglecting him while sleeping with Logan.

How exactly is that supposed to be funny?

Rory had time to travel to London.

She had time to carry on a relationship with an engaged man.

She had time to pursue her professional interests.

But she couldn't find five minutes to tell Paul that she no longer wanted to date him?

Come on.

If Rory didn't care about him, she should have ended it.

If she'd lost interest, she should have said so.

And if she wanted an open relationship, she needed to discuss that with the person involved.

Instead, the writers made his feelings irrelevant.

And I think that's an ugly way to portray a character we're still supposed to admire.

Because Paul hadn't been established as cruel, dishonest, or abusive.

He was simply boring to Rory.

Apparently that was enough to make his treatment a joke.

I don't accept that.

Being bored with someone doesn't give you permission to treat him as though he has no feelings.

The show eventually has Paul end the relationship himself.

Frankly, good for Paul.

I hope he found someone who remembered his name.

And perhaps occasionally remembered that they were dating.

The Wookiee Wasn't the Problem. Rory's Dishonesty Was.

Then there's Rory's one-night stand with a man dressed as a Wookiee.

Yes, a Wookiee.

During the revival's "Spring" episode, Rory goes to New York while working on a story about people who wait in long lines for fashionable experiences.

She ends up spending the night with a man she met while reporting.

And later she tells Lorelai what happened.

I have to laugh at the sheer absurdity of it.

The former Chilton valedictorian and Yale graduate, who once had her entire academic future planned, has now slept with a man wearing a Star Wars costume.

But here's where I want to separate my objections.

I don't think a thirty-two-year-old woman becomes morally worthless because she has a one-night stand.

Adults can make their own decisions about sex and relationships.

People may have different religious or personal beliefs about casual sex, and I respect the right to make those judgments.

But from the standpoint of honesty and fidelity, the bigger problem is that Rory was still involved with Paul and Logan.

One relationship was neglected.

The other involved an engaged man.

And Rory kept moving between them without taking responsibility for either arrangement.

The Wookiee wasn't married, as far as the story tells us.

The show doesn't establish that he was betraying a partner.

So I'm not interested in treating the costume as some terrible moral offense.

I'm far more interested in why Rory seemed incapable of establishing honest boundaries in her relationships.

A woman can be sexually active and behave honorably.

She can also have relatively little sexual experience and still treat people badly.

The number of partners isn't the measure of decency.

How she treats those partners—and the people affected by her decisions—is.

And by that standard, Rory was doing a lousy job.

Lorelai Raised Rory to Have Opportunities. Did She Forget to Teach Accountability?

One of the great themes of Gilmore Girls was Lorelai's determination to give Rory a better start in life.

Lorelai had become pregnant at sixteen.

She left her parents' home, worked her way up at the Independence Inn, and eventually opened the Dragonfly Inn with Sookie.

She was determined to raise Rory with independence, education, and the freedom to make choices.

And I admire much of what Lorelai accomplished.

She didn't allow becoming a young mother to end her ambitions.

She worked.

She took responsibility.

And she built a life for herself and her daughter.

But I sometimes wondered whether Lorelai's close friendship with Rory made it difficult for her to hold Rory accountable.

Rory was intelligent.

She was usually well-behaved.

And adults throughout Stars Hollow treated her almost as though she could do no wrong.

Miss Patty adored her.

Babette adored her.

Luke cared deeply about her.

Richard and Emily believed she was destined for extraordinary things.

And Lorelai was enormously proud of her.

I can understand all that affection.

But children who are constantly praised still need to learn that other people's feelings count.

They need to understand that intelligence doesn't make them exempt from ordinary moral expectations.

And they need to learn that being the beloved daughter of a charming single mother doesn't mean every mistake is adorable.

To Lorelai's credit, she confronted Rory about Dean.

She refused to excuse the affair.

And she was absolutely right.

But I wish the series had allowed Rory to absorb that lesson more fully.

Because by the time the revival arrived, the same problems had returned.

The men were different.

The circumstances were different.

But Rory was still treating another woman's relationship as an inconvenience she could work around.

That's not the growth I expected from the girl who spent her teenage years being praised for her maturity.

The Jewish Lesson: Being Smart Isn't the Same as Having Good Judgment

There's a teaching in Pirkei Avot 4:1 that asks who is truly strong.

The answer is the person who can control his or her own impulses.

I think Rory could have benefited from that lesson.

She was academically capable.

She could study for difficult examinations.

She could complete demanding assignments.

And she could devote enormous effort to achieving her educational goals.

But when it came to romantic decisions, she often seemed unwilling to exercise the same discipline.

She wanted Dean.

Even though he was married.

She wanted Logan.

Even though he was engaged.

And she wanted to keep the comfortable arrangement she had with Paul without bothering to end it honestly.

Now, I don't think having strong feelings for someone is a character flaw.

People can't always control whom they find attractive.

But they can control what they do about it.

And that's where responsibility begins.

Rory didn't have to sleep with Dean.

She didn't have to continue her affair with Logan.

And she didn't have to keep Paul waiting for a relationship she had already abandoned emotionally.

Those were choices.

There's another teaching in Pirkei Avot 4:2 that warns how one transgression can lead to another.

I don't interpret that to mean that making one mistake condemns someone to a lifetime of making the same mistake.

Jewish teachings about teshuvah, repentance and change, recognize that people can take responsibility and choose a different path.

But repeated wrongdoing can become easier to justify when a person keeps explaining away the previous incident.

And Rory's romantic history offers a good example.

With Dean, she insisted that his unhappy marriage made the situation different.

With Logan, she accepted a private arrangement that allowed both of them to avoid confronting their commitments.

In each case, the person outside the affair became less important than Rory's feelings.

And that is a serious moral problem.

Jewish law treats marital fidelity as a weighty obligation. The prohibition against adultery is one of the Ten Commandments.

I wouldn't claim that every modern dating or engagement situation has the same legal status as marriage under traditional Jewish law.

But the broader ethical duties of honesty, faithfulness, and treating others with dignity apply far beyond a wedding ceremony.

And Leviticus 19:18 teaches us to love our neighbor as ourselves.

Would Rory want a woman sleeping with her husband behind her back?

Would she appreciate discovering that her fiancé was maintaining a secret relationship with an ex-girlfriend?

Would she enjoy having a boyfriend who couldn't even remember to break up with her?

I doubt it.

Then why was she willing to participate in those situations when someone else would be hurt?

Being intelligent doesn't make someone ethical. Good character requires applying your principles when doing so costs you something you want.

I think that's where Rory repeatedly fell short.

She had the intelligence to understand the consequences.

What she lacked was the willingness to put those consequences ahead of her own desires.

The Pregnancy Wasn't a Moral Failure. The Writing Was a Disappointment.

Then came the final scene of A Year in the Life.

Rory and Lorelai are sitting together after Lorelai's wedding to Luke.

Rory turns to her mother.

And announces that she's pregnant.

The series ends.

That's it.

After years of watching Rory prepare for an ambitious career, after seven seasons and a revival, we're left with a pregnancy and an unanswered question about the father.

Now, I realize some viewers were delighted by the dramatic ending.

Others were disappointed.

I was in the second group.

But I want to be clear about why.

I don't believe an unmarried thirty-two-year-old woman becoming pregnant is automatically disgraceful.

Marriage and pregnancy are serious life decisions, and people have different values about the circumstances in which children should be conceived and raised.

But becoming a mother doesn't make someone unintelligent, immoral, or incapable of professional success.

Lorelai herself was proof of that.

She became a mother at sixteen and went on to build a successful life.

So it would make no sense to argue that Rory's pregnancy somehow erased her education or made her future worthless.

My frustration is with the circumstances the writers created.

Rory was involved with an engaged man.

She had been dishonest in her relationships.

Her career was unsettled.

And after all those years of development, the writers chose to leave viewers wondering who had fathered her baby instead of showing more of the adult woman she had become.

I would have liked to see Rory confronting her mistakes honestly.

Ending the affair.

Taking responsibility for how she'd treated other people.

And building a future in which she didn't keep repeating the same romantic behavior.

Instead, the final scene seemed designed to create another dramatic parallel between Rory and her mother.

But Lorelai's pregnancy at sixteen and Rory's pregnancy at thirty-two aren't the same story.

Lorelai was a teenager who became a mother under difficult circumstances.

Rory was a grown woman with a college degree and years of adult experience.

Those are two very different situations.

And I don't think the writers explored the differences nearly enough.

The Creator Wanted History to Repeat Itself. I Wanted Rory to Learn Something.

Amy Sherman-Palladino, the creator of Gilmore Girls, has explained that she always intended the series to end with Rory announcing a pregnancy.

She originally imagined that ending when Rory was around twenty-two.

But after leaving the original series before its seventh season, she didn't get the opportunity to use her planned final words.

When Netflix revived the show in 2016, she returned to the ending she'd envisioned.

Now Rory was thirty-two.

And Sherman-Palladino believed that made the parallel with Lorelai even more interesting.

The daughter was arriving at a situation that echoed her mother's experience.

History repeating itself.

Well, I understand the artistic idea.

But I don't think every clever parallel makes for a satisfying character arc.

And I wouldn't automatically praise the ending simply because the creator had imagined it years earlier.

Writers sometimes become attached to an ending before the characters have finished developing.

Then they arrange the story to arrive at that ending even when the journey has changed.

I think that's what happened with Rory.

If she had become pregnant unexpectedly at twenty-two, just after graduating from Yale, it would have presented one set of challenges.

She would have been a young adult beginning her career.

Her future would have been uncertain.

And the parallel with Lorelai might have felt more immediate, even though Rory would still have been older and better educated than her mother had been.

But at thirty-two, Rory had lived another decade.

She'd worked.

She'd traveled.

She'd experienced complicated relationships.

And she'd already made the mistake of becoming involved with a married man.

I'd have expected some growth during those years.

Instead, the revival brought back the same behavior and ended with another romantic complication.

The story seemed determined to return Rory to a version of her mother's starting point.

But I didn't want Rory to repeat her mother's life.

I wanted her to build her own.

And apparently I wasn't the only one disappointed.

Alexis Bledel, who played Rory, said in a 2017 interview that she'd hoped to see her character thriving after all her hard work. She admitted that the ending was difficult for her to accept, although she trusted Sherman-Palladino's creative judgment.

I can understand Bledel's reaction.

She'd spent years portraying an ambitious young woman with enormous potential.

And the revival ended without giving Rory the kind of satisfying professional or personal development many viewers had hoped to see.

Again, a pregnancy doesn't prevent success.

But it wasn't the career achievement, personal growth, or moral reckoning I had wanted after investing so much time in the character.

What About Logan Being the Father?

The revival deliberately leaves the identity of Rory's baby's father unresolved onscreen.

But Logan is widely considered the most likely possibility.

In 2023, costume supervisor Valerie Campbell explained that the pregnancy timeline strongly points toward him.

Rory's one-night stand with the Wookiee occurred months earlier, and the show's wardrobe hadn't been designed to suggest a pregnancy that far along.

Campbell believed the intended answer was obvious.

But in an October 2025 interview, Sherman-Palladino said she knows who the father is and has chosen not to reveal the answer publicly.

So I wouldn't claim the show has officially established Logan's paternity.

It hasn't.

But if Logan is the father, the situation raises an obvious problem.

He's engaged to Odette.

And Rory's pregnancy would be connected to an affair that both participants knew was dishonest.

That doesn't mean the child would be shameful.

Absolutely not.

A child isn't responsible for the circumstances surrounding conception.

But the adults certainly are responsible for the choices they made.

And I would hope any continuation of Gilmore Girls would confront those responsibilities instead of turning the pregnancy into another charming romantic mystery.

Does Logan tell Odette the truth?

Does he end the engagement?

Does Rory establish appropriate boundaries?

And how do the adults involved prepare to make decisions that put a child's well-being ahead of their romantic confusion?

Those are questions worth exploring.

Far more worthwhile, in my opinion, than another season of wondering whether Rory should choose Jess or Logan.

She's thirty-two.

Perhaps it's time she learned to choose honesty.

My Verdict: Rory Didn't Need a Perfect Life. She Needed Better Character Development.

I didn't expect Rory Gilmore to become a perfect adult.

Nobody is perfect.

And a television character who never makes a mistake would become boring rather quickly.

I would have been perfectly happy watching Rory struggle with her career.

I could have accepted a failed relationship.

A professional disappointment.

Even a period in which she questioned whether journalism was the right choice for her.

Those are ordinary experiences.

And they could have produced wonderful stories.

But I wanted to see Rory learn from the mistakes she made.

Especially when those mistakes hurt other people.

Her affair with Dean should have taught her something about respecting marriage and recognizing that romantic history doesn't give you ownership of another person.

Her relationship with Jess should have taught her the importance of honesty and boundaries.

And by the time she reached her thirties, I would have expected her to understand that carrying on an affair with an engaged man was wrong.

Instead, the revival gave us Rory doing many of the same things she'd done as a teenager.

And sometimes behaving with even less consideration for the people around her.

I don't find that empowering.

I don't find it admirable.

And I don't think it becomes acceptable simply because she's a beloved television character.

I also wouldn't excuse Dean and Logan.

They made their own choices.

Dean betrayed Lindsay.

Logan betrayed Odette.

And neither man deserves a free pass because viewers happen to find him attractive.

But Rory wasn't an innocent bystander in those relationships.

She made decisions, too.

And I think the writers should have allowed her to confront the consequences more seriously.

At fifty-one, I don't believe being a strong, independent woman means doing whatever you please without considering whom you might hurt.

It means having enough self-respect to make your own choices and enough integrity to accept responsibility for them.

Sometimes that means walking away from a man you love because he's already committed to someone else.

Sometimes it means admitting that a relationship isn't working rather than keeping someone around out of convenience.

And sometimes it means recognizing that being intelligent and ambitious doesn't automatically make you a decent person.

You still have to behave decently.

That's what I wish Rory had learned.

She didn't need to become a famous journalist.

She didn't need a perfect marriage.

And she didn't need to live out every dream she'd had as a teenager.

But she deserved a character arc that showed some wisdom gained from experience.

I would have loved to see her build a meaningful career, establish honest relationships, and become a woman who could recognize the difference between romantic attraction and moral responsibility.

Instead, we saw a thirty-two-year-old woman still making excuses for getting involved with unavailable men.

And the series ended before she had to confront what came next.

To me, that wasn't a satisfying conclusion.

It was a missed opportunity.

The tragedy of Rory Gilmore's story isn't that she became pregnant without being married. It's that she grew older without consistently becoming more considerate of the people affected by her choices.

And if the writers ever bring her back, that's the story I'd want them to tell.

Not another love triangle.

Not another affair.

And not another debate about which handsome former boyfriend should become her husband.

I'd want Rory to look honestly at the decisions she's made, recognize the harm she's caused, and demonstrate that she's capable of changing.

Because the girl who dreamed of becoming a journalist didn't have to turn into a flawless woman.

But she could have become a woman with enough character to know when to leave another woman's man alone.

For heaven's sake, Rory.

You went to Yale.

You can certainly figure that one out.

Sources and Further Reading

Jess Mariano Wasn't a Lost Cause: What Gilmore Girls Taught About Troubled Teenagers and Second Chances

Twenty-five years after Jess Mariano first appeared on Gilmore Girls, Milo Ventimiglia is still hearing from people who remember the rebellious teenager he played back in 2001.

In a November 7, 2026, interview with Good Housekeeping, Ventimiglia reflected on the anniversary of his arrival in Stars Hollow and how much time has passed since then. He was only 24 when he started playing Jess, and he still finds it remarkable that audiences have remained so attached to the character.

I can understand why.

Jess wasn't exactly an easy young man to like when we first met him.

He was sarcastic, disrespectful, and seemed determined to antagonize anyone who tried to help him. He stole things, skipped school, challenged authority, and behaved as though everybody in Stars Hollow was beneath him.

If I'd been his teacher, I probably would have needed a vacation by Thanksgiving.

But Jess also had a sharp mind, loved books, and showed flashes of sensitivity that suggested there was more going on beneath that obnoxious exterior.

And as the series progressed, we discovered that there was.

Jess wasn't simply a teenager who enjoyed making adults miserable. He was a young man whose father had abandoned him, whose mother had struggled to raise him, and who had been sent to live with an uncle he barely knew.

That doesn't excuse his behavior.

I wouldn't have tolerated a teenager treating people the way Jess sometimes did, either.

But I also wouldn't have assumed that his behavior told me everything I needed to know about him.

And I think that's where Gilmore Girls gives us a worthwhile lesson.

A teenager can be difficult, disrespectful, and responsible for his own mistakes without being a lost cause.

Sometimes the hardest children to reach are the ones who most need an adult willing to look beyond their behavior.

And sometimes the adult has to be patient long enough for the child to become ready to listen.

Jess Arrived in Stars Hollow With an Attitude and a Suitcase

Jess Mariano made his first appearance in the second-season episode "Nick & Nora/Sid & Nancy," which aired October 30, 2001.

His mother Liz, Luke Danes's sister, was having trouble managing him in New York. So she arranged for him to live with Luke in Stars Hollow, Connecticut.

Luke, played by Scott Patterson, wasn't exactly prepared to become the guardian of a rebellious seventeen-year-old.

He ran a diner.

He liked his routines.

He didn't enjoy people interfering with his business.

And he wasn't a man known for lengthy discussions about feelings.

Frankly, putting Luke and Jess under the same roof was a wonderful recipe for disaster.

Luke wanted Jess to attend school, work at the diner, and behave himself.

Jess had other ideas.

Almost immediately, he began testing his uncle's patience.

He stole money from a donation container, took a garden gnome, and generally behaved as though the town's rules were an invitation to entertain himself.

When Lorelai Gilmore tried talking to him about how fortunate he was to have Luke helping him, Jess responded rudely.

Now, I wouldn't defend that.

Lorelai could be opinionated, and she sometimes assumed she understood a situation before hearing the whole story. But Jess had no right to treat her badly simply because he didn't want advice.

He was old enough to know better.

And Luke was right to insist on basic respect.

Still, I can imagine how Jess felt arriving in a strange town where everyone seemed to know everyone else's business.

His mother had sent him away.

His father had been absent for most of his life.

And now he was supposed to be grateful to an uncle who hadn't planned on raising him.

Perhaps gratitude wasn't the first emotion he was capable of expressing.

What I find interesting is that Jess seemed determined to reject Stars Hollow before its residents had much opportunity to reject him.

He acted as though he didn't need anybody.

He mocked the town.

And he made sure people had plenty of reasons to dislike him.

Then, once they disliked him, he could point to their reaction as proof that they weren't worth his time.

That's a pretty effective way to avoid getting close to people.

It's also a miserable way to live.

I wouldn't presume to diagnose Jess or assign a psychological explanation to every decision he made. He's a fictional teenager, not a patient being evaluated in a clinic.

But I do think the show gives us enough of his family history to understand why trusting adults might have been difficult for him.

And that's something I'd want a parent or teacher to consider before deciding the boy was hopeless.

Luke Didn't Know How to Raise Jess, but He Was Willing to Try

I think Luke deserves considerable credit for taking Jess in.

He didn't have to.

Jess wasn't his son.

Luke had his own life, his own business, and enough trouble dealing with the residents of Stars Hollow without adding a teenager who treated every rule like a personal insult.

But he opened his home anyway.

He gave Jess a place to sleep, a job, and expectations.

And he kept trying to reach him even when the boy seemed determined to make that impossible.

I admire that.

But I wouldn't pretend Luke handled everything perfectly.

He could be impatient and short-tempered. He argued with Jess, lost his composure, and at one point even pushed him into a lake after becoming fed up with his behavior.

The scene is played for laughs, and I understand why audiences found it funny.

But I wouldn't recommend throwing a teenager into a lake as a parenting technique.

Luke wasn't a trained counselor.

He was an uncle trying to figure out what to do with a boy who had already learned how to make adults regret taking an interest in him.

And occasionally Luke made mistakes of his own.

What sets him apart, though, is that he didn't regard Jess as disposable.

He expected the boy to attend school.

He gave him work.

He tried to teach him responsibility.

And when Jess behaved badly, Luke generally confronted him rather than pretending it was harmless.

I think that's important.

Compassion doesn't mean allowing a teenager to steal, lie, or disrespect everyone around him.

If anything, a child who has experienced instability may need adults who are consistent about expectations.

Not because strict rules magically solve emotional problems.

But because a young person needs to know where the boundaries are.

Luke was trying to provide something Jess hadn't always experienced: an adult who cared enough to remain involved in his life.

He wasn't always gentle about it.

He wasn't always successful.

But he tried.

And even after their living arrangement ended badly, he didn't stop caring about his nephew.

The Adults Saw a Troublemaker. Rory Saw a Boy Who Loved Books.

One of the reasons Rory Gilmore became interested in Jess was that she noticed an entirely different side of him.

Rory, played by Alexis Bledel, loved reading.

She was intellectually curious and enjoyed talking about books with people who could keep up with her.

Jess could.

He wasn't a poor student because he lacked intelligence.

He read constantly.

He had strong opinions about literature.

And he could discuss books in a way that caught Rory's attention.

Now, I'm not going to suggest that loving books automatically makes someone a good person.

I've known enough about human behavior to recognize that an intelligent person can still behave terribly.

And Jess certainly demonstrated that.

But his love of reading showed that he had interests and abilities many adults weren't seeing when they looked at him.

They saw the missing garden gnome.

The sarcastic remarks.

The boy who skipped school.

Rory saw someone who could discuss literature with her for hours.

Neither picture was entirely wrong.

And I think that's the problem with reducing a teenager to a label.

A child can be a troublemaker and still have talents worth developing.

A child can be academically capable and still make disastrous decisions.

And a child can behave as though he doesn't care about school while caring deeply about learning things that interest him.

Jess was proof of that.

He loved reading but didn't want to follow the school's rules.

Eventually, he worked so many hours at Walmart while skipping classes that he failed to meet the attendance requirements for graduation.

He couldn't graduate with his class.

He couldn't take Rory to the prom.

And he hadn't been honest with her about what was happening.

I don't think his love of books excuses any of that.

He made choices that cost him opportunities.

And he hurt Rory by keeping her in the dark.

But I also wish someone had been able to help him connect his intelligence and interests to a realistic plan for his future.

A teenager who spends his spare time reading doesn't necessarily hate learning.

Perhaps he hates the environment in which he's expected to learn.

Perhaps he resents being told what to do.

Or perhaps he's made so many poor decisions that admitting he's in trouble feels more humiliating than pretending he doesn't care.

In Jess's case, his truancy and refusal to follow school requirements were real problems. The show doesn't establish that he had a learning disability.

But I do think adults should be curious about the reasons behind a young person's behavior rather than assuming the behavior explains itself.

I explored a related problem in my article about Alfonso's dyslexia on Silver Spoons. Alfonso was struggling because of an unidentified learning disability, while Jess was making decisions that interfered with his education. Those aren't the same circumstances, but both stories remind us that adults need to understand what's happening before deciding they know everything about a child.

With Jess, the challenge wasn't discovering whether he was intelligent.

It was helping him recognize that intelligence alone wouldn't build the life he wanted.

And that was something he eventually had to learn for himself.

Understanding Jess Doesn't Mean Excusing How He Treated Rory

I want to be careful here because Jess has plenty of devoted fans.

And I know the debate over whether Rory should have ended up with Dean, Jess, or Logan can become rather intense.

But I'm not writing a campaign advertisement for Team Jess.

Jess treated Rory badly at times.

He was unreliable.

He kept important information from her.

He became jealous.

And when he was upset, he sometimes took his frustration out on her instead of explaining what was wrong.

The incident at the party in "Keg! Max!" is especially troubling.

Jess has learned that he won't graduate from high school.

He's angry and embarrassed, but he hasn't told Rory.

When she finds him alone in an upstairs bedroom, they begin kissing.

Then he tries to move the encounter further than Rory wants.

She tells him to wait, and he doesn't immediately respect her request.

When she stops him, he responds angrily, and she leaves the room crying.

I don't excuse that.

Rory had every right to stop the encounter, regardless of how upset Jess was about school.

His disappointment didn't entitle him to ignore her boundaries or make her feel responsible for his frustration.

And a difficult childhood doesn't change that.

We can recognize why someone struggles with relationships without excusing the harm he causes in those relationships.

That's the difference between compassion and making excuses.

Jess was young.

He had experienced instability.

And he clearly had trouble discussing his feelings.

But Rory wasn't responsible for fixing him.

She didn't owe him unlimited patience.

She didn't have to remain his girlfriend until he became a better person.

And when he eventually left town without properly explaining himself, she had every reason to be hurt.

I think the show was right to let their relationship fall apart.

Sometimes two people care about one another but aren't ready to build a healthy relationship.

And sometimes the person who needs to grow has to do that work without expecting a romantic partner to stand by indefinitely.

Jess eventually became more mature.

But that didn't obligate Rory to reward him with another relationship.

His personal growth had value whether or not they ended up together.

Luke Had to Set Limits, Even Though He Loved Jess

By the end of the third season, Jess had stopped attending school regularly and was told he wouldn't graduate.

Luke had made an agreement with him about finishing school.

When Jess refused to repeat the year, Luke insisted that he couldn't continue living under the same arrangement while ignoring those expectations.

Their relationship reached a breaking point.

Jess left Stars Hollow and went to California in search of his estranged father, Jimmy.

I don't think that was a happy ending.

Luke had tried to help, but Jess wasn't willing to accept the conditions that came with living in his home.

And Jess wasn't ready to acknowledge how much he needed guidance.

This is where parenting, especially parenting a teenager with serious behavioral problems, becomes difficult.

How long do you keep making exceptions?

What do you do when a child refuses reasonable expectations?

How do you establish consequences without making the child feel abandoned all over again?

I don't pretend there's an easy answer.

Luke wasn't dealing with a little boy who had forgotten to do his homework.

He was dealing with an older teenager who was refusing to attend school and rejecting the arrangements Luke had made to support him.

Luke had the right to establish boundaries.

But Jess also needed to know that a failed living arrangement didn't mean his uncle had stopped loving him.

And I think their later relationship helps answer that question.

Luke remained part of Jess's life.

The two men gradually developed a relationship that was less about Luke trying to control every decision and more about mutual respect.

Jess began taking responsibility for his choices.

And eventually, he was able to acknowledge something that would have been almost impossible for the teenager who first arrived in Stars Hollow.

He appreciated what Luke had done for him.

The Most Meaningful Change Was Jess Thanking Luke

One of my favorite developments in Jess's story comes in the fourth-season episode "Last Week Fights, This Week Tights."

Jess returns to Stars Hollow for his mother's wedding.

He and Luke have had a complicated relationship, but they're beginning to communicate more openly.

And Jess tells Luke that he wants to repay the money his uncle spent supporting him.

Then he expresses appreciation for everything Luke did.

Not merely the money.

The place to live.

The effort.

The fact that Luke was there when Jess needed someone.

I think that scene says more about Jess's growth than any romantic declaration he made to Rory.

Because the teenager who once mocked nearly everything his uncle said is now capable of acknowledging another person's sacrifice.

He recognizes that Luke was trying to help.

And he wants his uncle to know that the effort wasn't meaningless.

Luke responds by making it clear that he'll continue being there for Jess.

I love that exchange.

There's no grand speech about how Jess has become a perfect young man.

Luke doesn't pretend the previous years were easy.

And Jess doesn't suddenly become sentimental about every childhood experience.

They're still Luke and Jess.

A couple of stubborn men who aren't especially comfortable discussing their feelings.

But now they're trying.

And I think that effort is worth recognizing.

A young person doesn't have to repair every mistake overnight to demonstrate growth.

Sometimes progress begins with an apology.

Or gratitude.

Or finally recognizing that the adult who kept setting rules wasn't necessarily trying to make life miserable.

Luke couldn't force Jess to appreciate him when he was seventeen.

But the fact that Jess couldn't appreciate him then didn't mean he never would.

That's what I find encouraging about their story.

An adult's guidance may not seem successful at the moment it's given. Sometimes its influence becomes visible years later.

Of course, that isn't guaranteed.

Not every troubled teenager eventually returns to thank the person who helped.

But Jess gives us an example of what can happen when a young person grows mature enough to reconsider the people and experiences he once rejected.

Jess Wrote a Book. And He Did It Without Becoming Someone Else.

By the sixth season, Jess has moved to Philadelphia and become involved with a small publishing company, Truncheon Books.

He's also written a short novel called The Subsect.

When he visits Rory to show her the book, she's astonished.

The boy who skipped school and couldn't graduate with his class has become a published author.

I think that's wonderful.

Not because publishing a book suddenly makes Jess morally superior to anyone else.

And not because everyone who struggles in school needs to accomplish something extraordinary to prove the adults wrong.

What makes it satisfying is that Jess has found a way to use an ability he possessed all along.

He loved books when he was seventeen.

He loved reading when everyone else was complaining about his attitude.

And now he's doing meaningful work in a field connected to that interest.

He didn't have to become a doctor.

He didn't have to attend an Ivy League university.

He didn't have to follow the same path Rory was taking.

He found his own direction.

And he did something with it.

I wouldn't use Jess's experience as an argument that education is unnecessary.

His decision to abandon high school caused real problems, and he might have benefited from completing his education.

But the fact that he made poor choices at seventeen didn't mean the rest of his life had to be defined by them.

And I think that's the important distinction.

A teenager's failures deserve attention and consequences, but they shouldn't become a permanent prediction of who that teenager will be.

Jess had to change his habits.

He had to learn how to work with other people.

And he had to develop enough discipline to write a book and contribute to a publishing business.

Those accomplishments required effort.

The same boy who couldn't be bothered to attend school consistently eventually found something worth applying himself to.

I wouldn't call that a miracle.

I'd call it growing up.

And I think many parents would be relieved to see that kind of change in a child who'd spent years testing their patience.

Jess Became the Person Who Challenged Rory

When Jess visits Rory in the sixth-season episode "Let Me Hear Your Balalaikas Ringing Out," their situations have changed dramatically.

Jess has written a book.

He's working in publishing.

And he seems to have found some stability.

Rory, meanwhile, has dropped out of Yale after a painful setback involving newspaper executive Mitchum Huntzberger's criticism of her abilities.

She's living with her grandparents.

She's become involved with the Daughters of the American Revolution.

And she's drifting away from the educational and professional ambitions that once defined her.

Jess is stunned.

He remembers the girl who loved school and worked constantly toward her goals.

And he wants to know why she's abandoned them.

His confrontation with Rory has become one of the show's most frequently discussed moments.

He questions her decision to leave Yale and challenges the direction her life has taken.

Now, I wouldn't argue that Jess single-handedly saved Rory's future.

She already had complicated feelings about leaving school.

She had to make her own decision about returning.

And the conflict with her mother was hers to resolve.

But Jess helped her confront questions she'd been avoiding.

And I find that reversal fascinating.

When they first met, Rory was the academically focused girl trying to encourage Jess to make something of his abilities.

Years later, Jess was the one reminding Rory that she was capable of more than the life she'd settled into.

He could challenge her because he knew what her ambitions had meant to her.

And because he'd experienced his own period of making poor decisions.

I don't think that made him an authority over Rory's life.

But he had earned the right to speak from experience about changing direction.

He'd done it.

And he knew she could, too.

That's a wonderful example of how personal growth can change the role someone plays in other people's lives.

Jess was no longer simply the troubled boy Rory wanted to understand.

He had become a man with something useful to offer.

Jewish Wisdom Doesn't Ask Us to Pretend People Never Do Wrong

There's a teaching in Pirkei Avot 2:4 that encourages us not to judge another person until we've stood in that person's place.

I think it's an excellent lesson for the residents of Stars Hollow.

Jess was rude.

He was dishonest at times.

And he made decisions that deserved criticism.

But how many of the adults who dismissed him had experienced what he had?

How many had grown up with an absent father and a mother who couldn't provide the stability they needed?

How many had been sent away to live with a relative and expected to feel grateful immediately?

I wouldn't suggest that understanding those circumstances meant ignoring his misconduct.

Jewish moral teaching doesn't require us to pretend that harmful behavior is acceptable.

But it does ask us to recognize that our knowledge of another person's circumstances may be incomplete.

And that can affect how we respond.

A parent or teacher can say, "What you did was wrong," without saying, "You are a worthless person."

Those statements are very different.

One addresses conduct.

The other condemns the individual.

Jess needed adults who could make that distinction.

Luke certainly became frustrated with him, but he didn't regard him as a human being beyond hope.

And Rory saw abilities that other people weren't paying attention to.

Neither person was capable of solving every problem in Jess's life.

Nor should they have been expected to.

But their willingness to see more than his worst behavior gave Jess relationships he could eventually appreciate.

There's another Jewish concept I think belongs in this conversation: teshuvah, often translated as repentance or return.

At its heart is the possibility that people can recognize wrongdoing, change their behavior, and move in a better direction.

I wouldn't claim Jess's story follows every step of religious repentance.

He doesn't deliver a formal confession covering every mistake he made.

But he demonstrates important parts of personal change.

He begins taking responsibility for his future.

He develops a more respectful relationship with Luke.

And he uses his abilities to build a life that doesn't revolve around antagonizing the people around him.

That's the kind of progress I'd want to encourage in a struggling teenager.

Not a promise that the past never happened.

But proof that the past doesn't have to determine every decision that follows.

Giving a Teenager Another Chance Doesn't Mean Giving Him Unlimited Chances to Hurt People

I think it's important to make one final distinction.

When I say Jess deserved another chance, I don't mean everyone he hurt was obligated to forgive him or resume the same relationship.

Rory didn't owe him another romance.

Lorelai didn't have to trust him immediately.

And Luke didn't have to abandon every rule simply because Jess had experienced a difficult childhood.

A second chance should involve an opportunity to make better choices.

It shouldn't require other people to tolerate the same harmful behavior indefinitely.

That's why Jess's adult accomplishments are so much more convincing than an apology would have been on its own.

He didn't merely tell people he had changed.

He began living differently.

He wrote a book.

He worked.

He built relationships around something constructive.

And he acknowledged his uncle's help.

I wouldn't claim that made him perfect.

Adults can still make mistakes, and Jess undoubtedly had more growing to do.

But he'd moved well beyond the teenager who seemed determined to destroy every opportunity placed in front of him.

What I'd want parents to take from this story is a willingness to look for signs of progress rather than constantly reminding a child of past failures.

If a teenager begins taking school seriously after years of neglecting it, encourage the change.

If he starts respecting boundaries, recognize the improvement.

If he begins accepting responsibility, don't insist that every previous mistake proves he's still the same person.

And if a young person has already hurt others, help him understand that rebuilding trust takes time.

People don't have to forget what happened.

But they should be allowed to recognize when someone has genuinely changed.

That's how accountability and hope can exist together.

My Verdict: Luke Didn't Save Jess. He Helped Jess Find His Way.

Milo Ventimiglia's recent anniversary interview reminded me of how unusual Jess's character arc was for a teenage troublemaker.

When he first arrived in Stars Hollow, he seemed almost determined to fail.

He rejected authority.

He made enemies.

He skipped school.

And he behaved badly toward people who cared about him.

I wouldn't minimize any of those decisions.

But I also wouldn't have concluded that he was destined to remain that way.

And I'm glad the writers didn't, either.

Jess's eventual success wasn't simply the result of Rory believing in him.

Nor was it proof that Luke knew exactly how to raise a troubled teenager.

Luke made mistakes.

Rory made mistakes.

And Jess made plenty of them.

But Luke provided a home, expectations, and a relationship that Jess eventually came to appreciate.

Rory recognized his love of books.

And Jess ultimately had to decide what he wanted to do with his life.

By the time he became a writer and found work in publishing, he had begun using his abilities instead of wasting them.

I think that's a much more satisfying ending than simply pairing him romantically with Rory.

A teenager shouldn't have to win back a former girlfriend to prove he's grown.

He should be able to build a decent life for himself.

And Jess did.

I'm not suggesting that every teenager who drops out of school will become a published author.

Most won't.

Nor am I suggesting that parents should tolerate serious misconduct while waiting for a child to mature.

Children need guidance, boundaries, and appropriate consequences.

But they also need adults who understand the difference between a bad decision and a permanent character flaw.

A seventeen-year-old who behaves badly isn't necessarily showing us the person he'll be at thirty.

He's showing us who he is at seventeen.

And while we have to take that behavior seriously, we shouldn't automatically assume he has nothing better to offer.

At fifty-one, I think one of the most discouraging things adults can do is convince a young person that improvement won't change anyone's opinion of him.

If the child is always going to be the troublemaker, why bother trying to become anything else?

Luke gave Jess a reason to believe their relationship could survive his mistakes, even when the two couldn't continue living together.

And Jess eventually gave Luke a reason to be proud.

I don't know how many teenagers would return years later and thank the adult who spent so much time arguing with them.

But I imagine it would mean an awful lot to the adult who kept trying.

That's the part of Jess Mariano's story I appreciate most.

Not the leather jacket.

Not the sarcasm.

And not the endless argument about whether Rory should have chosen him.

It's the fact that a boy who initially seemed determined to reject everyone eventually became capable of recognizing the people who had helped him.

He found a direction.

He learned to work.

And he discovered that having a difficult beginning didn't mean he was incapable of building a worthwhile future.

Hold teenagers responsible for what they do. But don't decide their entire future based on who they were during the worst years of growing up.

Jess Mariano wasn't an easy child to raise.

He wasn't always a good boyfriend.

And he wasn't a model student.

But he wasn't a lost cause.

Luke saw enough in him to keep caring, even when he didn't know how to help.

And years later, Jess gave his uncle something better than an apology.

He gave him evidence that all that effort hadn't been wasted.

I'd say that's a pretty good reason to keep believing young people can change.

Sources and Further Reading